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Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

"Aliens Expanded" Review


 James Cameron's 1986 magnum opus Aliens was his announcement to the universe that The Terminator wasn't a fluke and he was going to be a cinematic force to be reckoned with. I remember seeing it at the show then telling my then-girlfriend that "It was like being shoved through a screen door...without the door breaking." (Even as a young lad I had a way with words. May not have been a good way, but it was a way.)

Back in the good old days of the Aughts when DVDs came with massive special features packages, the 2003 Alien Quadrilogy box set of the (then) four Alien movies included Superior Firepower: Making Aliens, a 190-minute long documentary by Charles de Lauzirika which combined behind-the-scenes footage shot during the filming with interviews taped about 17 years later with the participants. It's been ages since I watched it (probably in 2003 when I got the set), but de Lauzirika is renowned for his production documentaries including Dangerous Days: Making Blade Runner which accompanied Blade Runner: The Final Cut and I recall it was good (I've started rewatching it) and comprehensive.

But director Ian Nathan felt there was more to be told so, backed by a massive crowdfunding campaign, he has made 2024's Aliens Expanded, clocking in at a daunting 4 hours, 42 minutes (hough the actual content is 4h 15m and the rest a credits roll of the legions of donors with brief testimonials that I'm guessing higher tier donations purchased) and features the participation of pretty much the entire living cast and key filmmakers including Cameron, producer Gale Ann Hurd, various production personnel, as well as numerous superfans, novelists, scientists, and pop culture experts to comment on the legacy of Aliens after nearly four decades. (Also participating is Charles de Lauzirika, upping the Inception quotient!)

If you're already a superfan of the film, there will be a lot of familiar material like how Hicks was originally played by James Remar until early in production he made the poor life choice of buying a speedball (cocaine & heroin) from an undercover cop, necessitating Hurd to scramble to get Remar deported rather than end up in slam for years. But there are a lot of new details like Cameron's dustup with the tea cart lady and tidbits from the cast like how the initials on the Colonial Marines' monitors were the actors first initial (e.g. Vasquez is "Vasquez J" for actress Jeanette Goldstein).

While the running time seems excessive, it's actually quite manageable by a chapter structure where the movie is gone through sequentially with sidebars "transmissions" for related subjects like the connection to Joseph Campbell (both Alien's Nostromo and Aliens' Sulaco came from Campbell books) and a nice tribute to Bill Paxton whose Hudson had so many quotable lines. ("Game over, man! Game over!") I watched a few chapters per session, nibbling through it over a couple of weeks.

It's a testament to Aliens Expanded's editing and focus that there's nothing that I thought was too extraneous or unnecessary. Having every bit player whose names you probably didn't even remember sounding off could've been a drag, but their comments and insights tie together nicely. And with nearly 40 years of the film's legacy to assay, the perspectives of what the movie meant beyond its own story are interesting.

And I'd really like to commend Nathan for heading off one of my biggest pet peeves about most documentaries by putting up title cards for every person EVERY time they are shown. Most documentaries introduce speakers once and then the viewer has to remember who they are. With over three dozen cast members, podcasters, commentators, etc. participating it could've been confusing as to who that non-cast member person is, but Nathan just puts up a friendly reminder every. Single. Time. Huzzah! 

In length and comprehensiveness, Aliens Expanded reminded me of another four-plus hour documentary, RoboDoc: The Creation of RoboCop, which also interviewed everyone - and I mean EVERYONE down to the woman being assaulted whom RoboCop shoots the guy's crotch through her skirt and the bimbos at Bob Morton's house that Boddicker dismisses ("Bitches, leave.") - including director Paul Verhoeven and stars Peter Weller, Nancy Allen, etc. about that seminal cult classic's production. I didn't review it because they broke it up into four hourish-long episodes, but it's definitely worth watching for fans of RoboCop just as Aliens Expanded joins Superior Firepower to form a tag-team 7-1/2 hour making-of fest.

Score: 9/10. Catch it on cable/streaming. (Viewed on AMC+)

I don't know why Sigourney Weaver isn't shown in the trailer, but she's in the movie plenty. Odd.

"Breakdown: 1975" Review


1975 was one of those pivotal years in movie history with serious Oscar-winners like One Flew Over The Cuckoo's Nest and contenders like Dog Day Afternoon, thrillers like Three Days of the Condor, Stanley Kubrick's Barry Lyndon, freakout musical adaptation of The Who's Tommy, the ur midnight movie The Rocky Horror Picture Show, and the ur summer blockbuster which put an end to much of serious adult movies, Jaws.

With that in mind, Netflix's documentary Breakdown: 1975 was advertised as being about the movies that came out that year against the backdrop of the Vietnam War's end and the post-Watergate as commentary on the times. Unfortunately, the actual doc is a Boomer therapy session where Nixon was bad, Vietnam was bad, Nixon was bad, the CIA was bad, Nixon was bad, and also Nixon was bad. I'm sensing a theme here.

Narrated by Jodie Foster, the warning signs cropped up early as they showed Network (which came out in 1976) and other movies not from 1975 like Chinatown (1974). As it slogged on, it started just randomly jumping into genres like Blackploitation with examples from the early-70s. Commenting were various female and black chin-stroking professors types as well as Martin Scorsese (director of Taxi Driver), Patton Oswalt (who was six years old in 1975), and Seth Rogen (who was born in 1982).

As they intercut footage to create scenes of Travis Bickle (from Taxi Driver) watching Howard Beale's "Mad As Hell" monologue from Network, I lost interest in whatever this was supposed to be that wasn't what was advertised. I'm genuinely surprised Morgan Neville (20 Feet From Stardom) directed this mess.

Score: DNF/10. Skip it.

 
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